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Fastball
“Someday” rides solemn, understated guitar work, “Falling Upstairs” offers shades of Bright Eyes-esque xylophone flourishes and “Red Light” is a tip of the ten gallon hat to Salsa music. more at www.stylusmagazine.com
about 1 year ago.
Echo and The Bunnymen
At first, terrible. Later, passable. Later still, great. more at www.stylusmagazine.com
about 1 year ago.
Efterklang
Parades, both restrained and wildly dramatic, gently touching and warmly enveloping, is not a record that sits comfortably with convenient labels. Instead, let’s just say that it’s as compelling as a winding ride through an unexplored mountain range: with scenery of size, light and dark skies, and a map that no one can read. more at www.stylusmagazine.com
about 1 year ago.
The Dead Trees
The Dead Trees sound is studied casualness, indie-folk so lackadaisical you can hear it shrug. Think Pavement’s insouciant country without the archness. more at www.stylusmagazine.com
about 1 year ago.
Pop Levi
Return to Form Black Majick Party contains multitudes—it’s blues, it’s funk, it’s pop, it’s dance. But he puts his own warped spin on psychedelic glitter soul by burnishing it with thickly layered electro buzzings and lead-heavy riffs. more at www.stylusmagazine.com
about 1 year ago.
CAMP LO
since day one, Camp Lo have always been Hollywood. Their technicolor tales could only fit on the big screen: blaxploitation fantasies of bloody Bronx shoot-outs, slick diamond heists and jet-black getaway cars gunning it 100 miles per on the Bronx Expressway more at www.stylusmagazine.com
about 1 year ago.
Gang Gang Dance
Gang Gang Dance are metropolitans steeped in the honeyed Eurocentric perceptions of foreign exoticism (still exists); any music that so potently evokes the abstracted ideal of The Jungle or the Eastern Marketplace was probably made somewhere like their hometown of New York, just as our notions of what a lot of what the non-Western world is are still probably more informed by a Hollywood set or heavily filtered broadcast news. more at www.stylusmagazine.com
about 1 year ago.
stars of track and field
On first glance there’s little to distinguish Stars of Track and Field from the more famous ambassadors of their childlike melancholy: if Death Cab doesn’t come to mind, Ben Gibbard’s glitch-pop side project certainly will; and breaths of Built to Spill and Carissa’s Wierd meander through this album’s autumn wind. more at www.stylusmagazine.com
about 1 year ago.
Dredg
They're the band had rid the turbid proto-Metal of Leitmotif for something far more immediate and resonant, with Gavin Hayes notably scrapping his dissonant half screams for an impressive and effusive croon. more at www.stylusmagazine.com
about 1 year ago.
Earthless
They play “psychedelic” blues barn-burners that nod to Ram Jam more than Sabbath and Hawkwind more than Blue Cheer. more at www.stylusmagazine.com
about 1 year ago.