There are nearly three-hundred and sixty five nights a year, and on one third of them, somewhere across North America, you will find a modern day social mosh pit of hippies, ex-ravers, hipsters, dub reggae heads, Dead-heads, Burning Man freaks, artists, fashion experimentalists, social activists, and hip-hop enthusiasts all packed into one steamy room of grinding, orgiastic expression and musical experimentation known as a bass ritual, or, more precisely, a night with Bassnectar. Playing at over TWO-hundred and fifty shows a year; to thousands of different people a month; from sold out festivals to overcrowded clubs and warehouses to tight and tiny bars and venues; Bassnectar's enormous popularity reflects the current hunger for raw substance in modern music and a desire for social integrity inside the party scene. Bassnectar's double-disc collection 2005 debut entitled "Mesmerizing The Ultra," a journey through next-level musical mutations, dreamy dubtempo, massive bass lines, heavy sledgehammer beats, head-nodding hip-hop, and a wild assortment of unlikely collaborations; remixing and producing with such artists as the enigmatic and mysterious Buckethead, the jam band super group Sound Tribe Sector 9, cult bluegrass rock star Michael Kang (String Cheese Incident), roots musical activists like Michael Franti (Spearhead), Heavyweight Dub Champion and KRS One, and dubstep/breakbeat pioneer FreQ Nasty. Both critically acclaimed and voraciously consumed, the record helped define the current sound of the West Coast Underground. Bassnectar's most recent full-length release, "Underground Communication." Is where he takes another step forward with is genre-blending of musical styles and emotions, combining the visceral melodic presence of modern listening music, with the force and volume of sound system dancehall devastation. WHILE the previous record featured collaborations with musicians and bands, the new record is more of an exploration of hip-hop culture, featuring scores of MCs and rhythmic poetics mashed atop a heavy driving range of tempo and, of course, those signature throbbing bass lines. Rooted firmly in political conviction, philosophical intention and backed by a rabid fan base and dedicated following, "Underground Communication&" sets a new standard for the possibilities of merging music, art, new media and social activism. Speaking on the meaning behind the title of the album, Bassnectar explains "It centers on the concepts of indie media, the strength of underground networking, social activism and defiance through music, hip hop, and the internet." Judging from his enormous following without any commercial radio play, media push, or licensing product placement hype, the title fits perfectly, and comes at a time when issues of net neutrality, corporate media, and privatization of radio and news outlets couldn’t be more crucial. Already gaining critical acclaim from tastemakers at URB, FLAVORPILL, and BPM along with winning local Nitevibe.com, SF Weekly and SF Bay Guardian honors for San Francisco's "Best DJ," Bassnectar's music is forging new paths in the electronic music world, the Burning Man scene, underground hip hop circles, and beyond. Crowd pleasing singles are, "Yo" featuring Spanish rapper Kristina Maria with remixes by Princess Superstar, I (Amp Live), Speaker Junk and "Bomb The Blocks" featuring underground queen MC Persia with remixes by Ghislain Poirier, Magik Johnson, Daz-IKue and Bassnectar. Currently when Bassnectar is not working your town into a frenzy, he can be found 24/7 working on his upcoming release for 2008 and also working on new shows. Look for a new single in the Spring and keep checking (www.bassnectar.net) for the latest podcasts and updates.