Heartless Bastards
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Formed in Dayton, Ohio, six years ago and signed to Fat Possum Records soon after on the recommendation of Patrick Carney of the Black Keys, the Heartless Bastards may be the meanest-sounding, female-fronted dirty blues band in America. Erika Wennerstrom’s voice is an instrument every bit as snarling and jagged as her guitar, and her songs — hammered home by the rhythm section of drummer Dave Colvin and bassist Jesse Ebaugh — pack a vicious punch, too. The Heartless Bastards scored heady critical acclaim with their first two albums of emotionally volatile garage rock, 2005’s Stairs and Elevators and the following year’s All This Time, but this year’s The Mountain — recorded in Wennerstrom’s new hometown of Austin with Spoon/Patty Griffin producer Mike McCarthy — is the band’s most compelling release to date. Prepare to be awed — and pummeled without mercy.
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The Heartless Bastards are a power trio whose members have taken a no-frills approach to life and music. more at www.allmusic.com
about 1 year ago.
Heartless Bastards have followed exactly none of their peers, neither the Black Keys’ reactionary path toward purity nor Liars’ didactic catapult toward guttural infinity nor anything between. If Stairs and Elevators, the Bastards’ 2005 debut, was noteworthy for its lived-in authenticity, for Erika Wonnerstrom’s quivering howls, and for its deft tunefulness, then All this Time finds the band sacrificing all of that album’s appeal at the altar of unabashedly populist songwriting. more at www.cokemachineglow.com
about 1 year ago.
Most of the songs pack light for the trip, with fairly simple yet meaningful guitar melodies and textures. more at www.stylusmagazine.com
about 1 year ago.