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    <description>&lt;strong&gt;James L. McMurtry&lt;/strong&gt;, along with his Austin-based band, &lt;a href=&quot;http://www.last.fm/music/James%2BMcMurtry%2B%2526%2BThe%2BHeartless%2BBastards&quot; class=&quot;bbcode_artist&quot;&gt;James McMurtry &amp;amp; The Heartless Bastards&lt;/a&gt;, is a self-described &amp;quot;rock &amp;amp; roots&amp;quot; guitarist and singer-songwriter, drawing on elements of &lt;a href=&quot;http://www.last.fm/tag/alt-country&quot; class=&quot;bbcode_tag&quot; rel=&quot;tag&quot;&gt;alt-country&lt;/a&gt;, &lt;a href=&quot;http://www.last.fm/tag/folk&quot; class=&quot;bbcode_tag&quot; rel=&quot;tag&quot;&gt;folk&lt;/a&gt; and old-fashioned &lt;a href=&quot;http://www.last.fm/tag/texas&quot; class=&quot;bbcode_tag&quot; rel=&quot;tag&quot;&gt;texas&lt;/a&gt; &lt;a href=&quot;http://www.last.fm/tag/rock&quot; class=&quot;bbcode_tag&quot; rel=&quot;tag&quot;&gt;rock&lt;/a&gt;.  The son of novelist Larry McMurtry, James was born in Fort Worth, Texas in 1962, and grew up in Virginia.  James McMurtry's seventh studio album, &lt;strong&gt;&lt;a title=&quot;James McMurtry - Childish Things&quot; href=&quot;http://www.last.fm/music/James+McMurtry/Childish+Things&quot; class=&quot;bbcode_album&quot;&gt;Childish Things&lt;/a&gt;&lt;/strong&gt;, was released on Compadre Records in the fall of 2005.  As writer L.E.Brady notes, &amp;quot;The album includes McMurtry's statement on American decline - &lt;em&gt;&lt;a title=&quot;James McMurtry &amp;ndash; We Can't Make It Here&quot; href=&quot;http://www.last.fm/music/James+McMurtry/_/We+Can%27t+Make+It+Here&quot; class=&quot;bbcode_track&quot;&gt;We Can't Make It Here&lt;/a&gt;&lt;/em&gt; - his most unabashedly political number yet.&amp;quot;  &lt;strong&gt;&lt;a title=&quot;James McMurtry - Just Us Kids&quot; href=&quot;http://www.last.fm/music/James+McMurtry/Just+Us+Kids&quot; class=&quot;bbcode_album&quot;&gt;Just Us Kids&lt;/a&gt;&lt;/strong&gt;&#8212; released in 2008, is McMurtry&#8217;s ninth full-length album.  While he insists that &#8220;the majority of the songs are not political,&#8221; it&#8217;s also clear that he&#8217;s not even close to abandoning his burgeoning role as a searing political gadfly.  The core band throughout is McMurtry on guitar, his longtime road band The Heartless Bastards (bassist Ronnie Johnson and drummer Daren Hess) and &#8220;guest Bastard&#8221; Ian McLagan (The Faces) on keys.  So, roll over Kate Smith &#8212; this &#8220;God Bless America (pat mAcdonald Must Die)&#8221; bears no resemblance to the ubiquitous Irving Berlin chest-thumper; it&#8217;s a scorched-earth cataloging of the old-boys&#8217; club glad-handing, cronyism and &#8220;belly up to the trough&#8221; feeding-frenzy of corporate and state war profiteers.   &#8220;Cheney&#8217;s Toy&#8221; juxtaposes the Hollywood hubris of the Bush administration against images of Guantanamo and a brain-damaged U.S. veteran. &#8220;The Governor&#8221; probes the roles of class and wealth in the solving and prosecution of crimes, and &#8220;Ruins of the Realm&#8221; sorts through the fallout and detritus of a cynical, unilateral approach to global &#8220;mapping.&#8221;   &#8220;Ruby and Carlos&#8221; looks at a relationship eroded by miscommunication and conflicting ambitions (with Gulf War Syndrome further roiling the waters). Ruby and Carlos aren&#8217;t doomed by a single fatal flaw; instead, their love is exhausted by a series of minor disconnects, finally dying the death of a thousand cuts. &#8220;Fire Line Road&#8221; looks at incest and meth addiction as the normal, everyday, ghastly horrors that they are &#8212; exposing some of the ugliest dirt we've always swept under our societal rug.   &#8220;Freeway View&#8221; is a honking, breakaway rock &#8217;n&#8217; roller propelled by Ian McLagan&#8217;s dazzling ivory-tickling while, according to James, the Dylanesque &#8220;Hurricane Party&#8221; inhabits &#8220;an old man cussing himself for what he misses and what he missed, occasionally noticing what&#8217;s happening now &#8212; it&#8217;s a reminiscence at the end of the world.&#8221;   The moving set-closer &#8220;You&#8217;d a&#8217; Thought (Leonard Cohen Must Die)&#8221; imbues its tale of a couple strained by individual weaknesses and stubborn old habits with a generosity of spirit and wry resignation. McMurtry says the parenthetical tag is there because &#8220;the lyrics kinda reminded me of a Cohen song, and I was still writing it while we were supposed to be recording it, and it just went on and on. So when I finally came up with it, I said &#8216;If it wasn&#8217;t for Leonard Cohen, you wouldn&#8217;t have had to spend half the day waiting on me.&#8217;&#8221;                       &lt;a href=&quot;http://www.last.fm/music/James+McMurtry&quot; target=&quot;_blank&quot;&gt;Listen at Last.fm&lt;/a&gt;</description>
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    <hometown>AUSTIN, Texas</hometown>
    <youtube>ZbWRfBZY-ng</youtube>
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