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The recording is bare and Nastasia makes her voice plain—not in a bad way, but to cut down on frills—and where she’s always sung in low tones, On Leaving finds her singing to an airless, empty room.more at pitchforkmedia.com
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Nina Nastasia
The recording is bare and Nastasia makes her voice plain—not in a bad way, but to cut down on frills—and where she’s always sung in low tones, On Leaving finds her singing to an airless, empty room.more at pitchforkmedia.com
10 months ago.