Packing up Disposable Parts and heading west, Red Leaves kicks off its tour with a hometown set of dark-pulse synth and tightly wound guitar read more..

Red Leaves tour Kick off show:
Alright Tonight 9pm
Red Leaves 10pm,
Manikin 11pm

Free & All Ages!

About Red Leaves
“A fierce collection of dark pop sensations, Disposable Parts combines emotion, precision, and style without ever compromising sincerity. Album opener “Kill Your Sister” showcases one of Red Leaves’ most intriguing strengths- the powerful and unconventional vocal interplay of bassist Singer Mayberry and guitarist David Lujan. Mayberry’s hollow bass lines provide the album’s steady heartbeat. Meanwhile, Lujan’s jagged riffs and writhing melodies sharpen the album’s sound with a refreshing emotive edge…[the EP] gives testament to Red Leaves’ progression into a sound all their own. Complete with hand-screened packaging, this self-released album brings together an earnest DIY aesthetic with impassioned and catchy songwriting. Buy it and turn it up.”
-Lauren LL, Study Breaks Magazine, June 2007

“The trio recently left behind the blatant Cure-isms of 2006’s “All the Zombies” for a twitchier, more singular sound on the recent “Disposable Parts”. Singer David Lujan still cops a pained Robert Smith yowl, but the band blazes its own goth-tinged path on standout track “Kill your Sister”…
-The Onion, Austin, June 29th, 2007

Llen Rad of the Austin Independent Magazine called the first EP “All the Zombies” the “latest offering to the gods of rock, that brings together something old, something new, and something blue… lo-fi trembing synth melodies and jaunty calculated guitar stabs… Lujan’s vocals are urgent and pleading, juxtaposed nicely with fellow singer Singer’s airy chants of reassurance… the dark and lively soundscapes Red Leaves weave remain fresh and poignant like old love letters to someone you still hold the flame for.”
- Austin Independent Magazine, March 2007

“All the Zombies blends Cureish singing with muffled, lo-fi guitar pop… David Lujan has his Robert Smith moan down cold on the title track, which really does sound like a demo off the Cure’s “Seventeen Seconds” album. Singer Mayberry lightens things up with her soft background vocals…"
-Joe Gross, XL Magazine, July 2006