On the heels of
30 successful years in Los Angeles where she opened and grew the Ivy
Theatre, director Marian Jones returns to Austin with Café at the End of Time a
ensemble cast play that tells the story of a gay bar from an era
past—and the characters that called it home. Written by Sue Caroll Moore
and featuring Martha Prentice, Café at the End of Time recalls a
period in the 1970s and 1980s when, for many, LGBT gathering places
were the only family they had. Furthermore, the play speaks to an
audience whose story is rarely seen on the stage: the aging, gay
community.
Jones
gained notoriety in the late 90s for founding the groundbreaking Ivy
Theatre in L.A.—devoted exclusively to lesbian playwrights. The Los
Angeles Times wrote, “L.A. lesbian theater, which often has seemed like
the kid sister of L.A. gay male theater, is about to get a room of its
own.” The Ivy Theatre went on to produce critically acclaimed
productions in Los Angeles and received hundreds of submissions for new
works by Lesbian playwrights from around the world. The Ivy Theatre is
no longer but it's mission and it's reputation remain.15 years later,
Jones returns to Austin—still with a focus on work by lesbian
playwrights—but also giving a voice to actors and audience members who
are now a little older and wiser.
With
a charming southern feel, the Texas premiere of this work is a “memory
play” as seen through the eyes of Randolph a stalwart patron and
irrepressible personality. Director Jones sets the stage: "Tony, a mafia
butch and her lover, Alix, a refugee from New York's upper crust, run
Maxie's Last Ditch Cafe on an unnamed Florida Key. The bar is a haven
for a motley crew of outcasts, as well as serving as the local dyke
hangout. Maxie's has been doing a brisk business for years, but lately
has fallen on hard times. An increasingly vicious hurricane season,
political drivers, and the wind of social change threaten a previously
timeless and idyllic life.”
Café at the End of Time was
written by Sue Carroll Moore, who currently lives in Germany, where she
is researching the life and death of Robert Schumann. Moore, also a
psycho-analyst and poet, is in her seventies and will be in town for the
opening of the run. Jones embraced the work as a quirky comedy that
also makes salient social and political statements on gay gathering
places as family for many—especially in the 70s and 80s. Once vital
Austin establishments included The Boathouse and Dirty Sally's.