Slash featuring Myles Kennedy and The Conspirators with Foxy Shazam

“It’s been an interesting road from the mid 90s up until now,” says Slash. “I never stopped to think, ‘What am I gonna to do in the long term?’ Or ruminated on my solo career, where it was heading. I’ve just been jamming around, going wherever the muse has taken me. And this is the first time where I feel like I’m in the saddle and riding my own destiny with some genuine focus.”

For fans who’ve tracked the broken glass and ruby slipper journey of Guns N’ Roses lead guitarist since the release of Appetite for Destruction two days before his 22nd birthday 25 years ago this July, one can’t help but be radioactive with enthusiasm. Apocalyptic Love is not just a new record by the storied musician with the black top hat and magical gift for riff, for Slash and his three co-conspirators; it is, indeed, destiny. And everyone involved is poised for the ride.

“The entire album was recorded like a live performance record where the band was all set up together in the big room,” observes producer Eric Valentine, whose Barefoot Recording Studios in Hollywood provided the fertile sonic soil for Love to blossom. “Slash played his solos live as the drums were going down. The vocals were overdubbed because Myles Kennedy was playing rhythm guitar live. The whole thing is Todd Kerns’ bass, Brent Fitz’ drums, and two main guitars. Slash played the solos while the band was jamming so we didn’t have to go back and overdub solos either, which he really dug.”

“It was important to capture the essence in that big room because as long as I’ve been doing studio recordings, I’ve always wanted to keep my guitar tracks from the actual live playing with the band,” adds Slash. “And I’ve kind of re-done them because I never enjoyed playing with headphones on. So Eric built this small room within the main room just for me, which he called the Slash Box, where I could play my parts and solos and still see the band, which worked great.”

The liberated feel of Apocalyptic Love is evident throughout the LP’s 13 songs, as is the genuine chemistry between Slash and lead singer, Myles Kennedy. The evolution of their creative relationship went full throttle since the two first joined forces on Slash’s 2010 debut solo release where the Alter Bridge front man lent his pipes to the cavalcade of venerable guest vocalists which included Iggy Pop, Ian Astbury and Ozzy Osbourne. READ MORE AT slashonline.com